– Highlights


Primavera 2017

23 Aug - 19 Nov


Hilarie Mais

23 Aug - 19 Nov

Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

– Learning Events


Art Safari

27 Oct, 1.00pm, Level 3: National Centre for Creative Learning

Special Event

ARTBAR October 2017

27 Oct, 7.00pm, MCA


Keynote lecture by Pipilotti Rist

05 Nov, 1.00pm, Level 6: Harbourside Room

– News from inside the MCA

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

Six Films that Changed My Life (for better or worse): Laura Hindmarsh

Primavera 2017 artist Laura Hindmarsh shares six films ahead of her specially curated edition of Art + Film on Saturday 16 September. more

The Many Guises of Jenny Watson

We’ll take you through some of Watson’s many alter egos that are currently housed in our Level 3 Galleries. more

– Spotlights from the collection online

MCA Collection

Works from the MCA Collection

Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Telling Tales: Jitish Kallat

Born 1974, Mumbai, India
Lives and works Mumbai

Covering Letter 2012
fog screen projection
Edition 1/3

Burger Collection, Hong Kong

Indian artist Jitish Kallat uses an array of materials in his artworks, yet they are often linked through language and acts of speech. His 2012 installation Covering Letter comprises a vertical screen of mist, around two meters in height, upon which the content of a significant typed letter is projected.
It was written in July 1939, by the Indian leader and pacifist Mahatma Gandhi to Adolf Hitler (addressed only as ‘My Friend’) and urged him to ‘shun the method of war’. It offers an alternative, peaceful course for 20th-century history in which humanity would not be reduced to a ‘savage state’ through conflict. The mist screen is room-sized, and gallery visitors are invited to walk through it, breaking the words apart and fragmenting the letter. It re-forms once more, only to be broken again, over and over.

<b>Jitish Kallat</b> <i>Covering Letter</i> 2012

Jitish Kallat Covering Letter 2012
fog screen projection dimensions variable
Edition 1/3
Burger Collection, Hong Kong