– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Kader Attia

12 Apr - 30 Jul

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Exhibition

Jenny Watson

05 Jul - 02 Oct

– Learning Events

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Special Event

ARTBAR June 2017

30 Jun, 7.00pm, MCA

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Talk

NAIDOC Week 2017

05 Jul, 5.30pm, Level 2: Veolia Lecture Theatre

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Event

Master Class For Teachers

09 Jul, 10.00am, Level 3: National Centre for Creative Learning

– News from inside the MCA

5 Years of ARTBAR

Roaming carrots, Hummer limos, tea ceremonies and bikes in the galleries. Five years proof that anything can happen at #MCAARTBAR more

MCA at the 2017 Venice Biennale

Canals, cats and curators. Clothilde Bullen reflects on the experience of attending the 2017 Venice Biennale on the occasion of Tracey Moffat’s Australian Pavilion. more

From the archives: Unconventional Materials

From the Archives is our blog series unearthing gems from the MCA’s archives, written by resident archivist Stephanie Ferrara more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Telling Tales: Angelica Mesiti

Born 1976, Sydney
Lives and works Sydney and Paris

The Colour of Saying 2015
three-channel digital video, high definition, projection, colour, sound
25 minutes, edition 1/3

Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2015
Performance originated in collaboration with and produced
by Lilith Performance Studio, Malmö, Sweden, 2015

Silence is a powerful tool for communication, as are gestures of the body or the hand. Angelica Mesiti’s The Colour of Saying (2015) unfolds across three screens in silence punctuated by incidental ambient noise.
On the first screen, a silent choir performs the music of Vaughan Williams using sign language in place of song. On the next screen two retired ballet dancers articulate the choreography of Tchaikovsky’s Swan Lake with hand gestures, their bodies no longer able to sustain a full-length live performance. On the third screen a percussion ensemble performs a Steve Reich composition in silence, broken momentarily by loud clapping. The artist has designed simple, stepped seating for visitors; it mirrors what we see in the three videos, making us a part of the action, as much as
witnesses to it.

<b>Angelica Mesiti</b> <i>The Colour of Saying</i> 2015

Angelica Mesiti The Colour of Saying (still, detail) 2015
three-channel digital video, high definition, projection, colour, sound
25 minutes, edition 1/3

Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2015
Performance originated in collaboration with and produced
by Lilith Performance Studio, Malmö, Sweden, 2015