– Highlights

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Exhibition

Pipilotti Rist: Sip my ocean

01 Nov - 18 Feb

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Exhibition

Jon Campbell: MCA Collection

04 Dec - 25 Feb

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Exhibition

Word: MCA Collection

04 Dec - 18 Feb

– Learning Events

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Workshop

Laughter Sessions

16 Dec, 2.00pm, Level 3: Creative Studios in NCCL

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Event

ARTBAR January 2018

19 Jan, 7.00pm, Throughout the MCA

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Tour

Art Baby

06 Feb, 12.30pm, MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Telling Tales: Angelica Mesiti

Born 1976, Sydney
Lives and works Sydney and Paris

The Colour of Saying 2015
three-channel digital video, high definition, projection, colour, sound
25 minutes, edition 1/3

Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2015
Performance originated in collaboration with and produced
by Lilith Performance Studio, Malmö, Sweden, 2015

Silence is a powerful tool for communication, as are gestures of the body or the hand. Angelica Mesiti’s The Colour of Saying (2015) unfolds across three screens in silence punctuated by incidental ambient noise.
On the first screen, a silent choir performs the music of Vaughan Williams using sign language in place of song. On the next screen two retired ballet dancers articulate the choreography of Tchaikovsky’s Swan Lake with hand gestures, their bodies no longer able to sustain a full-length live performance. On the third screen a percussion ensemble performs a Steve Reich composition in silence, broken momentarily by loud clapping. The artist has designed simple, stepped seating for visitors; it mirrors what we see in the three videos, making us a part of the action, as much as
witnesses to it.

<b>Angelica Mesiti</b> <i>The Colour of Saying</i> 2015

Angelica Mesiti The Colour of Saying (still, detail) 2015
three-channel digital video, high definition, projection, colour, sound
25 minutes, edition 1/3

Museum of Contemporary Art, purchased with funds provided by the MCA Foundation, 2015
Performance originated in collaboration with and produced
by Lilith Performance Studio, Malmö, Sweden, 2015