– Highlights


Pipilotti Rist: Sip my ocean

01 Nov - 18 Feb


Jon Campbell: MCA Collection

04 Dec - 25 Feb


Word: MCA Collection

04 Dec - 18 Feb

– Learning Events


Art + Film

16 Dec, 2.00pm, Level 2: Veolia Lecture Theatre


Laughter Sessions

16 Dec, 2.00pm, Level 3: Creative Studios in NCCL


ARTBAR January 2018

19 Jan, 7.00pm, Throughout the MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

MCA Collection

Works from the MCA Collection

Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.


Born 1973, Te Awamutu, New Zealand. Lives and works Sydney

Hayden Fowler’s Dark Ecology invites us to consider how our relationship with the natural world is changing, through an increased ability to alter our environment and through the threat of ecological catastrophe.
Visitors can enter the large plastic-covered biodome to view the artificial landscape inside. Over the course of the exhibition the artist and other invited guests occupy the dome intermittently tending and maintaining its delicate ecosystem. Security cameras installed in the dome’s roof are connected to monitors inside the MCA Circular Quay foyer revealing further details of the simulated world to visitors.

The internal environment of the biodome is designed to satisfy human aesthetic preferences for landscape. However, the enclosed ‘overcast’ grey of the plastic shell, humid atmosphere, smells, white noise of the fans and water pumps, dead remnant tree and infused artifice is intended to create an unsettling pathos that shifts between beauty and the apocalyptic.

Hayden Fowler, Dark Ecology artist statement

Hayden Fowler <i>Dark Ecology</i>  2015/2016

Hayden Fowler
Dark Ecology 2015/2016
mixed media, CCTV cameras, 4-channel video, monitor

Courtesy the artist

Curator Anna Davis on Hayden Fowler

The suggestively tenuous survival of life within the dome is intended as a metaphor for much wider environmental concerns. The work is designed to be emotionally evocative and question the audience around the contentious existence and definition of ‘nature’. In doing so it draws on a number of aesthetic and conceptual references including romanticism, science fiction, apocalyptic literature and film narratives, climate change and extinction discourse, the zoo exhibit and utopian yearnings for a ‘return to nature’.

Hayden Fowler, Dark Ecology artist statement