– Highlights


Primavera 2017

23 Aug - 19 Nov


Hilarie Mais

23 Aug - 19 Nov

Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

– Learning Events


2017 Lloyd Rees Lecture

22 Nov, 6.00pm, Level 2: Veolia Lecture Theatre


Art Safari

24 Nov, 1.00pm, Level 3: National Centre for Creative Learning


Artbar November 2017

24 Nov, 7.00pm, MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

MCA Collection

Works from the MCA Collection

Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Telling Tales: Excursions in Narrative Form

Museum of Contemporary Art Australia (MCA)


02 Jun 2016 to 09 Oct 2016


Safdar Ahmed, Kate Daw, Emily Floyd, Mabel Juli, Jumaadi, Jitish Kallat, Bouchra Khalili, Lee Mingwei, Angelica Mesiti, Peggy Patrick, Shirley Purdie, Refugee Art Project, Phyllis Thomas, Kerry Tribe


Rachel Kent

About the exhibition

Telling Tales: Excursions in Narrative Form explored the varied, inventive approaches taken by 14 leading Australian and international artists and groups to narrative form. Encompassing painting, sculpture, photography and film, their works unpicked conventional storytelling approaches, reconsidering ideas around structure, duration, repetition and fragmentation. Individual works broke away from a traditional linear format, instead presenting cyclical and open-ended stories; narration through non-verbal communication or silence; and mysterious, incomplete narratives constructed through fragments and clues.

Questions around truth and fiction emerged through some artists’ works. Others embraced oral histories and live durational events, including shadow puppetry and live opera in the gallery. Another focus in Telling Tales was stories that don’t get told – those unspoken narratives that raise important questions around authorship. Who has the right to speak? Who is silent, or silenced? The exhibition provided a platform for stories that are not often told, including stories of extraordinary personal agency and risk. Among them were eight narratives by immigrants travelling outwards from northern Africa and the Middle East in Moroccan artist Bouchra Khalili’s video installation The Mapping Journey Project (2008-11); and multiple stories told through drawings and watercolours by participants in the Sydney-based initiative, Refugee Art Project.

Some works in Telling Tales explored ideas around looping and repetition. Others broke narrative down into fragments or clues, which visitors could reassemble into their own unique interpretation of events. Californian artist Kerry Tribe’s film work re-imagined a famous Hollywood murder mystery in three versions. Each was compelling but none conclusive. Kate Daw and Emily Floyd took a different approach: breaking literary texts down into fragments; or representing grand narratives visually, through signs and symbols. The former did though visualisation of a female voice in 20th century literature, art and design; and the latter explored themes of crime, punishment, and the gulag or labour camp in relation to current world politics. A different take on world history and war was presented in Jitish Kallat’s immersive mist installation, onto which a significant letter was projected from the great Indian leader and pacifist Mahatma Gandhi, to Adolf Hitler.

Ceremonial stories, conveyed through song and dance, were the focus of paintings by Peggy Patrick and Phyllis Thomas, two senior Gija women from the East Kimberley region of Western Australia. Their austere ochre panels represent markings on the body in preparation for ceremony or joonba; they were not about one specific story but the act of story telling itself. Gija elder Shirley Purdie documented edible and medicinal plants of the East Kimberley, while Mabel Juli’s black ochre paintings depicted an epic narrative of forbidden love, embodied by the moon and star.

Silence as a means of communication, and gestures of the hand and body, were explored through Angelica Mesiti’s video work that featured a noiseless choir, percussion ensemble, and ballet performed with movements of the hand. In contrast Lee Mingwei presented a ‘living sculpture’ in the galleries, four afternoons a week: a classically trained singer who offered visitors the ‘gift’ of a song. Extending themes of performance and duration, Jumaadi reinvented the East Javanese tradition of wayang kulit or shadow puppetry in his gallery display of drawings, concertina books and buffalo-hide puppets. His work was expanded through multiple live performances and children workshops over the course of the exhibition.

Discover more about the artists and works

VIDEOS: Telling Tales: Excursions in Narrative Form

SAFDAR AHMED & Refugee Art Project

Telling Tales: Safdar Ahmed & Refugee Art Project
My name is Safdar Ahmed i’m one of the founders of the refugee Art project. Our project was started in late 2010 for the purpose of providing art workshops for asylum seekers and refugees in the villawood detention centre.

Lee Mingwei - The Letter Writing Project ...

Jitish Kallat - Covering Letter 2012 (exte...

Lee Mingwei - Sonic Blossom

Telling Tales: Jumaadi performance teaser

Featuring Works from the MCA Collection

Angelica Mesiti
  • The Colour of Saying
Shirley Purdie
  • Goowoolem Gijam - Gija plants