– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Kader Attia

12 Apr - 30 Jul

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Exhibition

Jenny Watson

05 Jul - 02 Oct

– Learning Events

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Special Event

ARTBAR June 2017

30 Jun, 7.00pm, MCA

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Talk

NAIDOC Week 2017

05 Jul, 5.30pm, Level 2: Veolia Lecture Theatre

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Event

Master Class For Teachers

09 Jul, 10.00am, Level 3: National Centre for Creative Learning

– News from inside the MCA

MCA at the 2017 Venice Biennale

Canals, cats and curators. Clothilde Bullen reflects on the experience of attending the 2017 Venice Biennale on the occasion of Tracey Moffat’s Australian Pavilion. more

From the archives: Unconventional Materials

From the Archives is our blog series unearthing gems from the MCA’s archives, written by resident archivist Stephanie Ferrara more

The other side of an exhibition

Take a trip behind the scenes with Exhibition Manager Charm Watts as she shares tales of what goes into installing MCA shows more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Caravan

Museum of Contemporary Art Australia (MCA)

Duration

15 Jan 1992 to 15 Mar 1992

Designers:

Neil Denari, Future Systems (Jan Kaplicky & Amanda Levete), Kei Iche Irie, Sam Marshall, Ian Moore, Peter Tonkin

Curator:

Craig Bremner

about the exhibition

CARAVAN was the MCA’s inaugural design exhibition, the first of a series of exhibitions that aimed to bring design under the umbrella of contemporary art. Four designers were commissioned to participate in the project, reflecting on design as a way to explore the manner in which we live and furthering the dialogue between industry and design to improve quality of life. Each designer worked closely with an Australian manufacturer to realise their concepts in the most economical and practical way possible. The caravan was chosen because of its evocative popular associations, linking economic and social, industrial and cultural attitudes to living.

The four prototype caravans were displayed on the MCA’s front lawn along with a fifth caravan that housed documentation of the extensive design processes involved in creating these deceptively complex and innovative mobile homes.