– Highlights

highlight
Workshop

TeachMeet:

Today, 4.00pm, Level 3: National Centre for Creative Learning

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

highlight
Exhibition

Pipilotti Rist: Sip my ocean

01 Nov - 18 Feb

– Learning Events

highlight
Workshop

TeachMeet:

Today, 4.00pm, Level 3: National Centre for Creative Learning

highlight
Workshop

Art Safari

24 Nov, 1.00pm, Level 3: National Centre for Creative Learning

highlight
Event

Artbar November 2017

24 Nov, 7.00pm, MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

...But never by chance...

Museum of Contemporary Art Australia (MCA)

Duration

26 Jun 1992 to 28 Aug 1992

Artists:

Jennifer Hamilton, Melanie Howard, Bronia Iwanczak, Sheridan Kennedy, Rosemary Laing, Rosslynd Piggot, Carol Rudyard

Guest Curator:

Linda Marie Walker

About the exhibition

...but never by chance… was a small exhibition of works by Australian female artists that shared a sense of the deliberate, as opposed to chaos, coincidence, or seemingly accidental markings, either in their visual aesthetic or in their conveyed meaning.

The title for this exhibition came from a Marguerite Duras quote: 'The reading of the book, says the actor, must always be listened to in the same way. Whenever, between the silences, the text is read out, the actors should hang on very word, frozen, scarcely breathing, as if, in gradual stages, there was always more and more meaning to be extracted from the simplicity of the words. The actors should look at the man in the story, and sometimes at the audience. Sometimes they should look at the woman, too, but never by chance'

Fifteen works made up ...but never by chance…, each of which were made to be read independently while contributing to the larger layered conversation of the erotic female body.