– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Kader Attia

12 Apr - 30 Jul

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Exhibition

Jenny Watson

05 Jul - 02 Oct

– Learning Events

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Special Event

ARTBAR June 2017

30 Jun, 7.00pm, MCA

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Talk

NAIDOC Week 2017

05 Jul, 5.30pm, Level 2: Veolia Lecture Theatre

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Event

Master Class For Teachers

09 Jul, 10.00am, Level 3: National Centre for Creative Learning

– News from inside the MCA

5 Years of ARTBAR

Roaming carrots, Hummer limos, tea ceremonies and bikes in the galleries. Five years proof that anything can happen at #MCAARTBAR more

MCA at the 2017 Venice Biennale

Canals, cats and curators. Clothilde Bullen reflects on the experience of attending the 2017 Venice Biennale on the occasion of Tracey Moffat’s Australian Pavilion. more

From the archives: Unconventional Materials

From the Archives is our blog series unearthing gems from the MCA’s archives, written by resident archivist Stephanie Ferrara more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

...But never by chance...

Museum of Contemporary Art Australia (MCA)

Duration

26 Jun 1992 to 28 Aug 1992

Artists:

Jennifer Hamilton, Melanie Howard, Bronia Iwanczak, Sheridan Kennedy, Rosemary Laing, Rosslynd Piggot, Carol Rudyard

Guest Curator:

Linda Marie Walker

About the exhibition

...but never by chance… was a small exhibition of works by Australian female artists that shared a sense of the deliberate, as opposed to chaos, coincidence, or seemingly accidental markings, either in their visual aesthetic or in their conveyed meaning.

The title for this exhibition came from a Marguerite Duras quote: 'The reading of the book, says the actor, must always be listened to in the same way. Whenever, between the silences, the text is read out, the actors should hang on very word, frozen, scarcely breathing, as if, in gradual stages, there was always more and more meaning to be extracted from the simplicity of the words. The actors should look at the man in the story, and sometimes at the audience. Sometimes they should look at the woman, too, but never by chance'

Fifteen works made up ...but never by chance…, each of which were made to be read independently while contributing to the larger layered conversation of the erotic female body.