– Highlights

Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec


Kader Attia

12 Apr - 30 Jul


Jenny Watson

05 Jul - 02 Oct

– Learning Events

Special Event

ARTBAR June 2017

30 Jun, 7.00pm, MCA


NAIDOC Week 2017

05 Jul, 5.30pm, Level 2: Veolia Lecture Theatre


Master Class For Teachers

09 Jul, 10.00am, Level 3: National Centre for Creative Learning

– News from inside the MCA

5 Years of ARTBAR

Roaming carrots, Hummer limos, tea ceremonies and bikes in the galleries. Five years proof that anything can happen at #MCAARTBAR more

MCA at the 2017 Venice Biennale

Canals, cats and curators. Clothilde Bullen reflects on the experience of attending the 2017 Venice Biennale on the occasion of Tracey Moffat’s Australian Pavilion. more

From the archives: Unconventional Materials

From the Archives is our blog series unearthing gems from the MCA’s archives, written by resident archivist Stephanie Ferrara more

– Spotlights from the collection online

MCA Collection

Works from the MCA Collection

Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Video Logic

Museum of Contemporary Art Australia (MCA)


19 Aug 2008 to 02 Nov 2008

Curator: Russell Storer

about the exhibtion

Video Logic presented the work of six Australian video artists: Denis Beaubois, Philip Brophy, John Conomos, Adam Geczy, John Gillies and Eugenia Raskopoulos. Each artist has worked with the medium for a decade or more, as part of a wider practice that also includes installation, performance, sound or writing.

Video art attained enormous prominence with the turn of the new millennium. This has been attributed to a number of factors, including the growing sophistication and economic accessibility of video technology and the constant presence of the moving image in everyday life. Artists who work with video may reference photography, painting, cinema, performance, documentary, advertising and animation; and they may present their work on a television monitor, as a room-scale projection or as part of an installation.

The artists featured in the exhibition all applied diverse approaches to video, but each considered carefully its specific qualities, as well as pushing its potential into fascinating and challenging directions. The exhibition aimed to convey the broad possibilities for video explored by artists in Australia, not only in its form, content and interaction with other disciplines, but also in terms of its presentation and installation.

The works presented by John Gillies and Denis Beaubois formed connections between video and performance. Gillies exhibited a new work which drew upon the film genre of the road movie and the cinematic techniques of montage and narrative to create an evocative video performance. Beaubois’ works in the exhibition considered the video camera itself as an ‘actor’, which produced its own electronically-generated point of view.

Language and cultural history were important elements in the exhibited works of John Conomos and Eugenia Raskopoulos. Conomos’ work Autumn Song – Take Two took the form of a video essay, using a collage of images and words to investigate his personal history, within a neon-lit installation created for the exhibition. Raskopoulos’ videos employed performance and animation to consider communication and the shifting nature of meaning in different contexts.

The relationship between image and sound was explored in works by Philip Brophy and Adam Geczy. Brophy ‘evaporates’ the music from pop videos and replaces them with soundtracks of his own design, transforming them into disturbing narratives. Geczy is interested in the potential of ‘visual music’ and presented works created in collaboration with the Australian composer Peter Sculthorpe and the German electronic musician Thomas Gerwin.

Exhibition Guide - Video Logic


In the Shop