– Highlights

highlight
Exhibition

Primavera 2017

23 Aug - 19 Nov

highlight
Exhibition

Hilarie Mais

23 Aug - 19 Nov

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

– Learning Events

highlight
Talk

2017 Lloyd Rees Lecture

22 Nov, 6.00pm, Level 2: Veolia Lecture Theatre

highlight
Workshop

Art Safari

24 Nov, 1.00pm, Level 3: National Centre for Creative Learning

highlight
Event

Artbar November 2017

24 Nov, 7.00pm, MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

1967: Selected works from the MCA Collection

Museum of Contemporary Art Australia (MCA)

Duration

28 Nov 2005 to 23 Apr 2006

Artists

Edmund Alleyun, Carl Andre, Sergio Dangelo, Hugo Demarco, James Doolin, Jeremy Moon, Zabunian Sarkis, Peter Sedgley, Luis Tomasello, Juan Genovés, Ian Burn, Julio Le Parc, Bridget Riley, Lily Greenham, Günther Fruhtrunk, Ovidiu Maitec, and Gregorio Vandanega.

Guest Curator: Jacky Redgate

To complement her survey exhibition, Jacky Redgate: Life of the System: 1980-2005, artist Jacky Redgate was invited to curate a selection of works drawn from the MCA Collection. Redgate selected works that were an extension of her own practice, and decided to take her career-long interest in the exploration of systems and apply it to her selection process. Redgate took the year 1967 as her starting point, and chose works that were made and/or acquired in that year.

1967 was a pivotal year for Redgate personally, as it was the year her family emigrated from London to Australia. On a political and social level, 1967 was the year of the Commonwealth Referendum which saw Aboriginal people recognised as Australian citizens for the first time, the growth of the women’s movement, and growing protests against the Vietnam War. Though the MCA was not yet conceived in 1967, the University of Sydney received the J.W Power Bequest, and began to acquire works for the J.W Power Collection, which formed a key part of the MCA Collection in its early years, and is still managed by the MCA on behalf of the University of Sydney today.

By bringing together personal and institutional narratives, Redgate explored the artistic and social landscape of the time, when Australia was opening up to the world and contemporary art had a fascination with new technologies and perceptual theories. The exhibition featured kinetic, Op, conceptual and minimal art, drawing connections to Redgate’s own practice and research into theory, perception and space.

This exhibition was made possible through the generous support of the MCA Ambassadors.

Supported by

Supported by

Featuring Works from the MCA Collection

Carl Andre
  • Walking beam
Ian Burn
  • Photographic Mirror (Referential line; Robert Morris)
The Beatles
  • Sgt Peppers Lonely Hearts Club Band