– Highlights

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Event

ARTBAR January 2018

Today, 7.00pm, Throughout the MCA

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Exhibition

Pipilotti Rist: Sip my Ocean

01 Nov - 18 Feb

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Exhibition

Jon Campbell: MCA Collection

04 Dec - 25 Feb

– Learning Events

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Event

ARTBAR January 2018

Today, 7.00pm, Throughout the MCA

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Workshop

Contemporary Kids School Holiday Program

23 Jan, 10.30am, Level 3: National Centre for Creative Learning

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Event

Pipilotti Rist: Sip my Ocean [Unplugged]

23 Jan, 6.00pm, Level 3: Galleries

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

William Kentridge

Museum of Contemporary Art Australia (MCA)

Duration

02 Sep 2004 to 28 Nov 2004

Curator: Carolyn Christov-Bakargiev

about the exhibition

South African artist William Kentridge is considered one of the most significant contemporary artists working today. His drawings and animated films present a uniquely evocative view of the state of South Africa, his haunting imagery hinting at how political realities impact on individual lives. While Kentridge’s primary activity remains drawing, his career has moved between film, drawing, theatre, sculpture and installation. He has gained international recognition for his distinctive animated short films, which are painstakingly constructed through a process of erasing and redrawing each phase of movement and for his charcoal drawings based on a similar ‘erasure’ technique.

This exhibition brought together over 70 works from the 1970s to 2004, including rare early drawings, etchings, animated films, recent sculpture, and new film works Tide Table (2003-4), 7 Fragments for Georges Melies (2003) and Journey to the Moon (2003). With a particular focus on recent works, the exhibition also included a number of works in bronze and projections onto objects, as well as a selection of works based on the artist’s interest in shadows as a metaphor for indirect vision and knowledge. The MCA version of the exhibition was augmented by a number of drawings and etchings from Australian collections, an additional film and a series of eight etchings, Ubu Tells the Truth (1996-97).

William Kentridge was organised by the Castello di Rivoli, Museo d’Art Contemporanea, Rivoli, Turin. The exhibition in Rivoli was made possible through the generous support of the Region of Piedmont, CRT Foundation, Turin Chamber of Commerce, Industry and Agriculture, and the City of Turin.

Tour Itinerary

Castello di Rivoli, Museum of Contemporary Art, Rivoli, Turin, Italy: 10 January – 29 February 2004
K20 K21 Nordrhein-Westfalen, Dusseldorf, Germany: 27 March – 31 May 2004
Musée d’Art Contemporain, Montréal, Canada: 10 February – 23 April 2005
Johannesburg Art Gallery, Johannesburg, South Africa: 1 July – 31 October 2005

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