– Highlights

highlight
Workshop

TeachMeet:

Today, 4.00pm, Level 3: National Centre for Creative Learning

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

highlight
Exhibition

Pipilotti Rist: Sip my ocean

01 Nov - 18 Feb

– Learning Events

highlight
Workshop

TeachMeet:

Today, 4.00pm, Level 3: National Centre for Creative Learning

highlight
Workshop

Art Safari

24 Nov, 1.00pm, Level 3: National Centre for Creative Learning

highlight
Event

Artbar November 2017

24 Nov, 7.00pm, MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Callum Morton: More Talk about Buildings and Mood

Museum of Contemporary Art Australia (MCA)

Duration

28 Oct 2003 to 26 Jan 2004

Guest Curator: Stuart Koop

about the exhibition

Callum Morton: More Talk about Buildings and Mood focused on Callum Morton’s architectural models from the previous four years, highlighting his strategy of injecting wry humour and cinematic drama into iconic architecture, critiquing its utopian intentions.

Since the early 1990s Morton has been constructing architectural fragments and models whilst producing richly coloured digital images that bring together ‘high’ and ‘low’ architecture. The tension between theory and practice, art and life is examined through the ways that architects design our social environment and how people actually utilise buildings. This slippage provides a rich source of material for Morton, who animates his models with sound and light to create vivid narratives of human frailty.

This solo exhibition presented key works from the previous four years as well as a number of new works, including Gas (2003), based around Philip Johnson’s iconic Glass House from the late 1940s and Untitled (2003), based on the United Nations building in New York. The exhibition also included Habitat (2002), a 1:50 architectural scale model of a mass housing project built in 1967 in Montreal, Canada, by Israeli architect Moshe Safdie.

In these endeavours, Morton appeared to be an iconoclast, ultimately critical of the utopian ideals that these remarkable buildings embody, undermining their seriousness with dramatic and often humourous narratives drawn from life, movies, books or his own experience. The ideal world composed by architects was filled with grisly ends and grimy details: death, S&M, conflict, loss, annulment. In doing so, Morton rendered an alternative, corrupted architectural history, and the pristine, empty, quasi-sacred spaces of the world’s renowned buildings were filled to bursting with all sorts of profound events.

This exhibition was made possible through the generous support of MCA Ambassadors.