– Highlights

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Exhibition

Primavera 2017

23 Aug - 19 Nov

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Exhibition

Hilarie Mais

23 Aug - 19 Nov

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

– Learning Events

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Talk

2017 Lloyd Rees Lecture

22 Nov, 6.00pm, Level 2: Veolia Lecture Theatre

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Workshop

Art Safari

24 Nov, 1.00pm, Level 3: National Centre for Creative Learning

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Event

Artbar November 2017

24 Nov, 7.00pm, MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Rosemarie Trockel

Museum of Contemporary Art Australia (MCA)

Duration

30 Mar 1994 to 08 Jun 1994

Guest Curator: Gregory Burke

about the exhibition

In the 1980s and 1990s, German artist Rosemarie Trockel gained an international reputation as one of Europe’s leading contemporary artists. Trockel’s work resists easy categorisation and incorporates a variety of media, from painting, drawing and video, to the confounding use of manufactured objects and knitted wool.

Trockel’s work explores aspects of contemporary life that define and limit the social and sexual identity of women. She was then best known for her ‘knitted’ paintings which used familiar symbols like the playboy bunny, the hammer and sickle, often incorporating familiar objects such as stove-tops, irons, knitted garments and balls of wool. By rearranging and re-contextualising these familiar objects in unsettling or humorous ways, Trockel resists the stereotypes they usually evoke.

This was the artist’s first major exhibition in Australia. Included were works from the early 1990s; knitted paintings of Rorschach ‘ink-blots’, stove-top pieces, multiples, videos and new works made specifically for this exhibition.

Organised by the City Gallery, Wellington, New Zealand.