– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Kader Attia

12 Apr - 30 Jul

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Exhibition

Jenny Watson

05 Jul - 02 Oct

– Learning Events

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Special Event

ARTBAR June 2017

30 Jun, 7.00pm, MCA

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Talk

NAIDOC Week 2017

05 Jul, 5.30pm, Level 2: Veolia Lecture Theatre

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Event

Master Class For Teachers

09 Jul, 10.00am, Level 3: National Centre for Creative Learning

– News from inside the MCA

MCA at the 2017 Venice Biennale

Canals, cats and curators. Clothilde Bullen reflects on the experience of attending the 2017 Venice Biennale on the occasion of Tracey Moffat’s Australian Pavilion. more

From the archives: Unconventional Materials

From the Archives is our blog series unearthing gems from the MCA’s archives, written by resident archivist Stephanie Ferrara more

The other side of an exhibition

Take a trip behind the scenes with Exhibition Manager Charm Watts as she shares tales of what goes into installing MCA shows more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Jean Baudrillard: The Ecstasy of Photography

Museum of Contemporary Art Australia (MCA)

Duration

04 May 1994 to 20 May 1994

Guest Curator: Nicholas Zurbrugg

About the exhibition

Jean Baudrillard was internationally recognised as one of the world’s leading intellectuals. Born in 1929 in France, he rose to prominence as a philosopher, sociologist, cultural theorist and political commentator in the 1980s and 90s. His published works were considered part of the poststructuralist philosophical school, along with the works of Gilles Deleuze, Michel Foucault, and Jacques Derrida. Baudrillard died in 2007.

In 1981, Baudrillard began to explore photography, using his art to further express his philosophical ideas. He saw photography as a means to capture a world that existed in paradox from reality – a ‘radically non-objective’ world.