– Highlights

highlight
Exhibition

Primavera 2017

23 Aug - 19 Nov

highlight
Exhibition

Hilarie Mais

23 Aug - 19 Nov

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

– Learning Events

highlight
Talk

2017 Lloyd Rees Lecture

22 Nov, 6.00pm, Level 2: Veolia Lecture Theatre

highlight
Workshop

Art Safari

24 Nov, 1.00pm, Level 3: National Centre for Creative Learning

highlight
Event

Artbar November 2017

24 Nov, 7.00pm, MCA

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Jean Baudrillard: The Ecstasy of Photography

Museum of Contemporary Art Australia (MCA)

Duration

04 May 1994 to 20 May 1994

Guest Curator: Nicholas Zurbrugg

About the exhibition

Jean Baudrillard was internationally recognised as one of the world’s leading intellectuals. Born in 1929 in France, he rose to prominence as a philosopher, sociologist, cultural theorist and political commentator in the 1980s and 90s. His published works were considered part of the poststructuralist philosophical school, along with the works of Gilles Deleuze, Michel Foucault, and Jacques Derrida. Baudrillard died in 2007.

In 1981, Baudrillard began to explore photography, using his art to further express his philosophical ideas. He saw photography as a means to capture a world that existed in paradox from reality – a ‘radically non-objective’ world.