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Aleks Danko

30 Jul - 18 Oct


Matthys Gerber

22 Sep - 06 Dec


Primavera 2015

22 Sep - 06 Dec

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Exchange Series

12 Nov, 11.00am, Creative Studios National Centre for Creative Learning


Educator Exclusive

26 Nov, 5.30pm, Creative Studios National Centre for Creative Learning



06 Dec, 6.00pm, Throughout the MCA

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Taloi Havini: Primavera artist and ARTBAR curator

Primavera 2015 artist and MCA ARTBAR curator Taloi Havini talks ‘Shell Money’, pina coladas and memories of Bougainville. more

We laughed, we cried, we danced, we barked…

Teachers from across NSW gathered at the MCA and Sydney Opera House for two days of creative dialogue and exchange as part of the 2015 Engaging Students with Disability forum. more

If these walls could talk | #AleksDanko

Ha-ha-ha-ha. Learn the meaning behind artist Aleks Danko’s Laughing Wall.... more

View the Collection

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– Spotlights from the collection online

Volume One: MCA Collection

Works from the MCA Collection on display

Remain in Light: Photography from the MCA Collections

On tour until October 2015


Watch our latest artist interview with Khaled Sabsabi

Justene Williams

b.1970 :

Justene Williams was born in Sydney and completed a Bachelor of Visual Arts at the University of Western Sydney in 1991. Further art education was undertaken at Sydney College of the Arts (Postgraduate Diploma in 1992 and a Master of Visual Arts in 2006). Williams’ early work revolved around photography and utilised the ad hoc nature of disposable cameras and one-hour printing labs. The locations for these early photographic projects were sites of public recreation: shopping centres, car shows and strip clubs; and the resultant imagery channeled the energy of popular culture while often being luxuriously abstract. Often, Williams images were the rescued “out-takes” from rolls of film; the out of focus, blurred “mistakes” that mysteriously hinted at figuration, but eluded resolution.

In 2005 Williams’ interest in photography was subsumed into the medium of video. Coupled with her interest in choreography and performance (Williams danced as a child), she began to use video as a performative medium, creating elaborate sets and costumes from “waste” materials in which absurd, repetitive actions were executed. These delirious choreographies in fabulist settings have the aura of voodoo, with the artist channelling various periods from art history in an effort to reconstruct the essence of forgotten images. Through the physical collaging of materials to construct her complex sets and costumes, and the digital collaging and editing of video, Williams invokes the ghosts of artists past.

In _Bighead Garbageface Guards Ghost Derr Sonata _at the Art Gallery of New South Wales, Sydney in 2009, Willliams conjures the spirits of Dada artists Kurt Schwitters, Sophie Tauber Arp and Man Ray. In Berlin Burghers Microwave at Penrith Regional Gallery in 2010, Williams summoned Auguste Rodin’s The Burghers of Calais (1889) and Claude Monet’s Waterlilies, and in the MCA’s Crutch Dance in 2011, a Futurist figure vainly does battle with a treadmill, invoking Umberto Boccioni’s famous sculpture Continuity of Unique Form in Space (1913). Justene Wiiliams’ embracing of both high and low art, history and salvage, painting and video, results in a hypnotic new form of recycling – a curiously ‘carbon neutral’ method of image production.

Works by Justene Williams

– In the MCA Collection online

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