– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

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Exhibition

Pipilotti Rist: Sip my ocean

01 Nov - 18 Feb

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Exhibition

MCA COLLECTION: JON CAMPBELL

04 Dec - 25 Feb

– Learning Events

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Workshop

WORKSHOP

29 Nov, 6.00pm, Ground Floor: Outdoor Terrace

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Event

International Day for People with Disability

05 Dec, 11.30am, Level 3: National Centre for Creative Learning

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Workshop

Art Safari

05 Dec, 1.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Lindy Lee

Born 1954, Brisbane. Lives and works Sydney.


Lindy Lee is a painter whose practice centres on portraiture and the self. Her practice is informed by the eastern philosophies of Taoism and Buddhism and their teachings on the relationship between humanity and the universe. Symbolic gestures and processes that call on the element of chance are often used in her work. Lee began exhibiting in the 1980s, when she overlaid photocopied Renaissance portraits with transparent layers of paint (The Silence of Painters, 1989). In the mid-1990s she began incorporating portraits of family members into works that questioned ideas of cultural authenticity and acknowledged her own cultural background. At around the same time she started exploring abstraction, influenced by the monochromes of American abstract painter Ad Reinhardt. Buddhism has become increasingly significant in Lee’s practice, and her work of the 1990s sought to break down individual identity through decomposition of the image and the application of monochromatic wax splatters across its surface.
 

Lee has exhibited in Australia and Asia since the 1980s, including when her work was shown in the 1985 Perspecta at the Art Gallery of New South Wales, Sydney and the 1986 Biennale of Sydney. Her work was shown in Marking Time, MCA, Sydney (2012); Yin-Yang: China in Australia, S.H. Ervin Gallery, Sydney (2008); We are Australian Too: Women Against Racism, Casula Powerhouse, Sydney (2006); Element, BIAC, Beijing (2005); and Sight Seeing, Central Academy of Fine Arts, Beijing (2004). Lee’s work is held in numerous major state, regional, private and university collections in Australia.

Works by Lindy Lee

– In the MCA Collection online

– View also

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Works

Related Exhibitions