– Highlights

highlight
Screening

Art + Film

Today, 2.00pm, Level 2: Veolia Lecture Theatre

highlight
Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

highlight
Exhibition

The National 2017

30 Mar - 18 Jun

– Learning Events

highlight
Screening

Art + Film

Today, 2.00pm, Level 2: Veolia Lecture Theatre

highlight
Special Event

ARTBAR March 2017

31 Mar, 7.00pm, MCA

highlight
Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Art Escapades

Artist Educator Nicole Barakat talks about our new Art Escapades program for 3-5 year olds. more

Support Australian Design this International Women's Day

To celebrate International Women’s Day we’re shining the spotlight on a selection of talented independent, Australia women artists and designers currently stocked at MCA Store more

From the archives: February

Looking forward, looking back. This new monthly series explores MCA archives, penned by our very own Archives and Records Management Coordinator, Stephanie Ferrara. more

– Spotlights from the collection online

highlight
MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Lindy Lee

Born 1954, Brisbane. Lives and works Sydney.


Lindy Lee is a painter whose practice centres on portraiture and the self. Her practice is informed by the eastern philosophies of Taoism and Buddhism and their teachings on the relationship between humanity and the universe. Symbolic gestures and processes that call on the element of chance are often used in her work. Lee began exhibiting in the 1980s, when she overlaid photocopied Renaissance portraits with transparent layers of paint (The Silence of Painters, 1989). In the mid-1990s she began incorporating portraits of family members into works that questioned ideas of cultural authenticity and acknowledged her own cultural background. At around the same time she started exploring abstraction, influenced by the monochromes of American abstract painter Ad Reinhardt. Buddhism has become increasingly significant in Lee’s practice, and her work of the 1990s sought to break down individual identity through decomposition of the image and the application of monochromatic wax splatters across its surface.
 

Lee has exhibited in Australia and Asia since the 1980s, including when her work was shown in the 1985 Perspecta at the Art Gallery of New South Wales, Sydney and the 1986 Biennale of Sydney. Her work was shown in Marking Time, MCA, Sydney (2012); Yin-Yang: China in Australia, S.H. Ervin Gallery, Sydney (2008); We are Australian Too: Women Against Racism, Casula Powerhouse, Sydney (2006); Element, BIAC, Beijing (2005); and Sight Seeing, Central Academy of Fine Arts, Beijing (2004). Lee’s work is held in numerous major state, regional, private and university collections in Australia.

Works by Lindy Lee

– In the MCA Collection online

– View also

All
Works

Related Exhibitions