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Exhibition

Grayson Perry

10 Dec - 01 May

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Exhibition

Mikala Dwyer: MCA Collection

21 Dec - 21 Feb

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Exhibition

Being TIWI

21 Dec - 21 Feb

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About the MCA

– News from inside the MCA

Sharing The Artist’s Voice

Celebrating the launch of a new video portal, Alex White reflects upon the MCA’s history of producing and sharing interviews with artists and the importance of these activities for the organisation. more

My Pretty Little Sydney: A guide inspired by Grayson Perry

Much like Grayson’s work, Sydney is full of interesting enclaves if you are willing to take a closer look. We teamed up with The Thousands to create a Grayson Perry-inspired guide to Sydney! more

Building Confidence

Artist Educator Sue Salier reflects upon the certainty of youth in relation to our secondary workshop program Unpacking Unseen Images. more

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Browse Collection

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection on display

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Remain in Light: Photography from the MCA Collections

On tour until October 2015

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ARTIST INTERVIEW

Watch our latest artist interview with Khaled Sabsabi

Rosalie Gascoigne

b.1917 : d.1999

Rosalie Gascoigne came to art late in life. Holding her first exhibition in 1974 at age 57, her career spanned 25 years, during which time her work was exhibited widely both in Australia and internationally until her death in 1999.

Gascoigne used mostly found materials: wood, iron, wire, feathers, and yellow and orange retro-reflective road signs, which flash and glow in the light. Some of her other best-known works use faded, once-bright drinks crates; thinly-sliced yellow Schweppes boxes; ragged domestic items such as torn floral lino and patchy enamelware; vernacular building materials such as galvanised tin, corrugated iron and masonite. These objects represent, rather than accurately depict, elements of the world around her: the landscape around her home in Canberra and the materials and textures of rural life.

Text is another important element of Gascoigne’s work; she would cut up and rearrange the faded, naive lettering found on these items to create abstract yet evocative grids of letters and word fragments.

However in later years both colour and text seemed to fade from her work, and she began to create meditative, elegiac compositions of white or earth-brown panels. Four years after her first exhibition in 1974, Gascoigne was the subject of a major survey exhibition at the National Gallery of Victoria, and four years after that she was chosen to represent Australia at the 1982 Venice Biennale. Her works are held in most public collections in Australia including the National Gallery of Australia, New Parliament House, Art Gallery of New South Wales, Museum of Contemporary Art, Sydney, National Gallery of Victoria, Queensland Art Gallery, Art Gallery of Western Australia, Art Gallery of South Australia, National Art Gallery, Wellington, New Zealand as well as the Metropolitan Museum of Art, New York. A major retrospective of Gascoigne’s work was exhibited at the Wellington City Gallery in 2004.

Works by Rosalie Gascoigne

– In the MCA Collection online

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