– Highlights

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Exhibition

Tatsuo Miyajima

03 Nov - 05 Mar

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Primavera at 25: MCA Collection

19 Dec - 19 Mar

– Learning Events

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Pop-Up Bar

Sakura Sundays

05 Mar, 3.00pm, Ground Floor: Outdoor Terrace

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Workshop

Contemporary Art Studio

09 Mar, 10.30am, Level 3: National Centre for Creative Learning

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Conference

Educators conference: 6-7 April

06 Apr, 6.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

Ode to typography: Interview with Will Lynes

Signwriter Will Lynes used traditional signwriting techniques to free-hand paint the text ‘Everything Else’ on this 17-metre long wall painting. Will muses on the emotive quality of typography and how he works. more

5 tips for applying for the MCA Zine Fair

Want to show your zine-work at the 2017 MCA Zine Fair? Here we share our tips for applying more

Louise Zhang's horror infused ARTBAR

Navigating the space between attractive and repulsive, Chinese-Australian artist Louise Zhang kicks off the ARTBAR year in suitable style with a night entitled ‘New Year’s Rot’. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Brian Blanchflower

Born 1939, Brighton, United Kingdom. Lives and works Perth.


Brian Blanchflower’s strong affinity with nature – a legacy of his childhood in the downlands of Sussex – is evident in his abstract paintings inspired by the natural environment. As a young artist in England in the 1960s, Blanchflower was impressed by ancient sites and megaliths – a clue perhaps to the artist’s consistent concern with our place in the cosmos. After immigrating to Western Australia in 1972 Blanchflower made frequent trips to the south coast of Western Australia and to the salt-lake region north-east of Perth, which formed the basis for many of his works throughout the 1970s and 80s. His abstract works took from the Australian landscape not just the colours and textures of the earth and shimmering night sky, but the parched vastness and sense of infinity associated with nocturnal visions.

Music has also been a source of inspiration for Blanchflower. The works of John Cage, Edgard Varese and Anton Webern from the 1960s, and later Gyorgy Ligeti, Iannis Xenakis and Giacinto Scelsi, as well as classical composers such as Bach and Anton Bruckner, have played an important role in his development as an artist. He has painted several homages to composers, and the British/Australian composer Roger Smalley wrote an homage to Blanchflower (‘Diptych’, 1990–92).

Since 1974 Blanchflower has held numerous solo exhibitions in Perth and Sydney, and has taken part in group shows in Japan, China and Australia. In the 1970s and 80s he was a key member of the pioneering group of artists, Praxis, which led to the establishment of the Perth Institute of Contemporary Arts, and from 1972 to 1984 was a lecturer in fine art at the Western Australian Institute of Technology (now Curtin University). His works are held in major collections around the world, including most of Australia’s state galleries.

Works by Brian Blanchflower

– In the MCA Collection online

– View also

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Works

Related Exhibitions