– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Dec

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Exhibition

Kader Attia

12 Apr - 30 Jul

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Exhibition

Jenny Watson

05 Jul - 02 Oct

– Learning Events

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Workshop

Art Safari

08 Aug, 1.00pm, Level 3: National Centre for Creative Learning

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Workshop

Workshop

09 Aug, 6.30pm, Level 3: Digital Studio in NCCL

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Screening

ART + FILM

19 Aug, 2.00pm, Level 2: Veolia Lecture Theatre

– News from inside the MCA

Claudia Nicholson's ARTBAR of love and devotion

July’s ARTBAR will see the MCA turned into an elaborate quinceañera by this month’s curator, Claudia Nicholson. more

#ConversationStarters: Have you ever made a decision based on fear?

We held a new program of art and ideas, Conversation Starters, in June to promote an open conversation with questions that define our global situation. more

#ConversationStarters: What are you afraid of for the future?

We held a new program of art and ideas, Conversation Starters, in June to promote an open conversation with questions that define our global situation. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

The Maningrida Collection of Aboriginal Art

The Maningrida Collection of Aboriginal Art consists of approximately 600 works in fibre and other materials by Maningrida artists. The Collection is held in trust for the people of Maningrida on a long-term basis under a unique cultural agreement. The works were all created in the mid-to-late 1980s, and made, for the most part by women, revealing their ingenuity and ability to maintain strong links with the past, while at the same time incorporating new ideas and materials. Some traditional pieces – such as dragnets, fish traps and hunting bags – have been produced collectively by men and women.

The Maningrida Collection, together with the Ramingining Collection and the Arnott’s Collection are three remarkable collections of Aboriginal art which complement one another, and came to the Museum because of its commitment and involvement with the Aboriginal communities, and a curatorial perspective from ‘within’ the communities in the case of the two closely related areas of Ramingining and Maningrida.

Maningrida

Image: installation view, Volume One: MCA Collection, Museum of Contemporary Art 2012, Image courtesy and © the artists and artists’ estates, Photo: Paul Green