See what's on at the

Browse What's On

– Highlights

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Exhibition

Grayson Perry

10 Dec - 01 May

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Exhibition

Mikala Dwyer: MCA Collection

21 Dec - 21 Feb

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Exhibition

Being TIWI

21 Dec - 21 Feb

Find out more about the

About the MCA

– News from inside the MCA

Sharing The Artist’s Voice

Celebrating the launch of a new video portal, Alex White reflects upon the MCA’s history of producing and sharing interviews with artists and the importance of these activities for the organisation. more

My Pretty Little Sydney: A guide inspired by Grayson Perry

Much like Grayson’s work, Sydney is full of interesting enclaves if you are willing to take a closer look. We teamed up with The Thousands to create a Grayson Perry-inspired guide to Sydney! more

Building Confidence

Artist Educator Sue Salier reflects upon the certainty of youth in relation to our secondary workshop program Unpacking Unseen Images. more

View the Collection

Browse Collection

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection on display

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Remain in Light: Photography from the MCA Collections

On tour until October 2015

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ARTIST INTERVIEW

Watch our latest artist interview with Khaled Sabsabi

The Maningrida Collection of Aboriginal Art

The Maningrida Collection of Aboriginal Art consists of approximately 600 works in fibre and other materials by Maningrida artists. The Collection is held in trust for the people of Maningrida on a long-term basis under a unique cultural agreement. The works were all created in the mid-to-late 1980s, and made, for the most part by women, revealing their ingenuity and ability to maintain strong links with the past, while at the same time incorporating new ideas and materials. Some traditional pieces – such as dragnets, fish traps and hunting bags – have been produced collectively by men and women.

The Maningrida Collection, together with the Ramingining Collection and the Arnott’s Collection are three remarkable collections of Aboriginal art which complement one another, and came to the Museum because of its commitment and involvement with the Aboriginal communities, and a curatorial perspective from ‘within’ the communities in the case of the two closely related areas of Ramingining and Maningrida.

Maningrida

Image: installation view, Volume One: MCA Collection, Museum of Contemporary Art 2012, Image courtesy and © the artists and artists’ estates, Photo: Paul Green