– Highlights

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Mca Collection

MCA Collection: Today Tomorrow Yesterday

01 Sep - 31 Aug

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Exhibition

Pipilotti Rist: Sip my ocean

01 Nov - 18 Feb

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Exhibition

MCA COLLECTION: JON CAMPBELL

04 Dec - 25 Feb

– Learning Events

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Workshop

WORKSHOP

29 Nov, 6.00pm, Ground Floor: Outdoor Terrace

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Event

International Day for People with Disability

05 Dec, 11.30am, Level 3: National Centre for Creative Learning

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Workshop

Art Safari

05 Dec, 1.00pm, Level 3: National Centre for Creative Learning

– News from inside the MCA

The Importance of Laughter

We sat down with laughter connoisseur Shari Coventry from Sydney Laughter to discover the truth about laughter and why we need it ahead of this month’s Laughter Sessions. more

Coming up in 2018…

Next year is one of the most exciting and diverse seasons yet. Find out what’s on. more

Six Films that Changed My Life (for better or worse): Antenna's Rich Welch

To pave the way for the soon-to-come cinema binge at Antenna Film Festival,Co-Director Rich Welch shared a few of his life changing films. more

– Spotlights from the collection online

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MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Civic Actions: Artists' Practices Beyond the Museum

At a time of increasing inequality and social tension, what role can art play in bringing people together? Can artists working in public spaces shift perceptions and attitudes? Does socially engaged practice inhibit artistic excellence?

Civic Actions: Artists’ Practices Beyond the Museum delves into these crucial questions, focusing on the intersection of social and public projects, and the possibilities of art practice in public space. This essential publication is international in focus and features formal essays and critiques along with conversational reflections by high-profile artists, curators, academics and cultural practitioners from across Australia, the Asia-Pacific, Europe and North and South America, who work with communities in the public realm.

Expanding on the 2015 conference of the same name, Civic Actions considers the intersections of socially engaged and public art practices within a global context, with a focus on Australia and the MCA’s ground-breaking C3West program. Since 2007, C3West has collaborated with businesses and non-arts organisations across Greater and Western Sydney to create artist-led projects which give voice to local issues.

Elizabeth Ann Macgregor OBE, MCA Director, said: “The contributions in the book highlight the transformative capacity of contemporary art, and the ways in which a range of organisations, from artist collectives to brick-and-mortar art institutions, can work in non-art locations and contexts in manners that are dynamic, responsive and collaborative.”

In ‘Culture is the Language of the Commons’, Nato Thompson, Artistic Director of Creative Time, focuses on socially engaged art through the dual lens of class and race. He writes, ‘The idea of taste that persists in the art world is outdated, and people who say “there’s good or bad art” are being fake. There are just points of entry, intrigue, complexity, power, performativity.’

Curator and writer Hetti Perkins discusses the need for Indigenous-led art projects in the public domain, which transform rather than exploit the environment: ‘Art or cultural activity in an urban landscape is a mechanism by which living memory can be activated, maintained and amplified to embrace our contemporary experience, often in stark relief to what appears to be an otherwise utterly colonised space.’

Artist Jun Yang considers whether art has the potential to initiate social change or if any such efforts are inevitably co-opted by economic systems designed to maximise profit; if art is a powerless luxury in a time of social turmoil; and if artists are ‘the biggest secret supporters of the commercial and conservative power systems’ that they criticise.

The publication discusses the work of a range of leading artists, including: Héctor Zamora (Brazil and Mexico), Theaster Gates (USA), Ivan and Heather Morison (UK), Tony Albert (Australia), Paul Chan (USA), Suzanne Lacy (USA), Kara Walker (USA), Sylvie Blocher (France), Angelica Mesiti (France and Australia), Jeanne van Heeswijk (Netherlands), and Lara Thoms (Australia).

Contributors include:

  • Brook Andrew, artist and curator (Australia)
  • Zanny Begg, artist (Australia)
  • Jenny Bisset, Director, Blacktown Arts Centre (Australia)
  • David Cross, Professor of Visual Arts, Deakin University (Australia)
  • Claire Doherty, Director, Situations (UK)
  • Blair French, Director, Curatorial and Digital, Museum of Contemporary Art Australia
  • Peter Johnson, C3West Assistant Curator, Museum of Contemporary Art Australia
  • Janet Laurence, artist (Australia)
  • Anne Loxley, Senior Curator, C3West, Museum of Contemporary Art Australia
  • Elizabeth Ann Macgregor OBE, Director, Museum of Contemporary Art Australia
  • Ivan Muñiz Reed, curator and writer (Australia and USA)
  • Gill Nicol, Director, Audience Engagement, Museum of Contemporary Art Australia
  • Hetti Perkins, curator and writer (Australia)
  • Amy Spiers, artist (Australia)
  • Nato Thompson, Artistic Director, Creative Time (USA)
  • Michel Tuffery, artist (Aotearoa New Zealand)
  • Jun Yang, artist (Taiwan and Austria)

Edited by Blair French and Anne Loxley

Cover of 'Civic Actions: Artists' Practices Beyond the Museum'

Cover of 'Civic Actions: Artists’ Practices Beyond the Museum’, featured: Zoe Scoglio, In The Round, 2016, performance documentation, Fairfield, NSW, co-commissioned by C3West on behalf of the Museum of Contemporary Art Australia, Powerhouse Youth Theatre, Fairfield, and the NSW Service for the Treatment and Rehabilitation of Torture and Trauma Survivors (STARTTS), image courtesy and © the artist, photograph: Anna Kucera

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