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– Highlights

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Exhibition

Energies: Haines & Hinterding

25 Jun - 06 Sep

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Exhibition

Aleks Danko

30 Jul - 18 Oct

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Exhibition

Primavera 2015

22 Sep - 06 Dec

Create and Learn at the

All Learning Programs

– Learning Events

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Event

Genext:

06 Sep, 6.00pm, Throughout the MCA

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Workshop

Creativity in the Primary Classroom

11 Sep, 9.00am, The National Centre for Creative Learning

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Workshop

Creative Connections #2

15 Sep, 9.00am, Creative Studios National Centre for Creative Learning

Find out more about the

About the MCA

– News from inside the MCA

We laughed, we cried, we danced, we barked…

Teachers from across NSW gathered at the MCA and Sydney Opera House for two days of creative dialogue and exchange as part of the 2015 Engaging Students with Disability forum. more

If these walls could talk | #AleksDanko

Ha-ha-ha-ha. Learn the meaning behind artist Aleks Danko’s Laughing Wall.... more

Digital Excursions; New Connections

Alex White reflects upon the newly launched program offerings and the possibilities these hold for students and teachers anywhere in Australia. more

View the Collection

Browse Collection

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection on display

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Remain in Light: Photography from the MCA Collections

On tour until October 2015

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ARTIST INTERVIEW

Watch our latest artist interview with Khaled Sabsabi

News – Reflections on the installation of War Is Over! (if you want it)

Posted on Jan. 10, 2014 in Exhibition Crew.

MCA’s Installation Manager Tony Mighell reflects on the secret site visits and gallery preparations that long preceded the realisation of Yoko Ono’s exhibition War is Over! (if you want it)

The 2011 secretive site visit, when the impossibility of finding steel capped boots small enough for Yoko, challenged and finally broke down the immutable workplace safety clothing rules for the MCA Watpac building site was the first incident where I sensed this exhibition was going to be different. And as Yoko and MCA Chief Curator Rachel Kent walked through the Level 3 gallery spaces discussing the show using terms like peace, for mummy, everybody’s relationship with their mothers, the magic of the sky, and softness and light in muted voices of shared vision, this sense of a different adventure intensified.

There was none of the decisive 'we need a wall here’, 'how high is that ceiling?’ that I was so used to hearing. So much was left to a felt and shared understanding between Yoko and Rachel of what the show was about, what it meant. Funnily enough the floor plan was very nearly completely set at that time, nearly two years ago, and has barely changed. There was so little of the type of crisp installation instructions we are so used to receiving, as the interpretation and understanding of the pieces and how they were to be installed was left as a gifted responsibility from Yoko to Rachel.

For all the necessity for hard facts, clear dimensions, and decisiveness there was a real sense that the show was being directed by some unstated idea understood by Yoko and interpreted by Rachel. Not easy, a new challenge, a different way to go about things but looking at the exhibition now it’s just as I’d hoped – a new and brilliant enunciation of Yoko’s work and vision.

War is Over! (if you want it): Yoko Ono runs until 23 February 2014 in the Level 3 Galleries

Installation sketch for Yoko Ono, MORNING BEAMS 1996 and Cleaning Piece - Riverbed 1996

Installation sketch for Yoko Ono, MORNING BEAMS 1996 and Cleaning Piece – Riverbed 1996,Installation view, War Is Over! (if you want it): Yoko Ono, Museum of Contemporary Art Australia, 2013

Yoko Ono, MORNING BEAMS 1996 and Cleaning Piece - Riverbed 1996 © the artist

Yoko Ono, MORNING BEAMS 1996 and Cleaning Piece – Riverbed 1996,Installation view, War Is Over! (if you want it): Yoko Ono, Museum of Contemporary Art Australia, 2013, Photograph: Alex Davies, © the artist