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Louisa Bufardeci
Australia & Japan(from the series Some Material Flags)  2008
seersucker fabric
26 flags
Image courtesy the artist and Anna Schwartz Gallery, Melbourne and Sydney © the artist
Louisa Bufardeci
Team Joy  2004
mixed media installation, acrylic paint on wood and nails, adhesive labels 
information sourced from www.cia.gov
dimensions variable
Image courtesy the artist and Anna Schwartz Gallery, Melbourne and Sydney © the artist
Originally commissioned by the Australian Centre for Contemporary Art for Cycle Tracks will Abound in Utopia, 2004
Louisa Bufardeci
Recent Plans for the Equal Distribution of Equality (Internet)  2008
digital prints
Image courtesy the artist and Anna Schwartz Gallery, Melbourne and Sydney © the artist
Louisa Bufardeci 
Ground Plan  2003
wall painting
dimensions variable
Image courtesy the artist and Anna Schwartz Gallery, Melbourne and Sydney © the artist
Zon Ito
Big Footage (video still)  2006
DVD
Courtesy the artist and Taka Ishii Gallery, Tokyo © the artist
Zon Ito
Slanted Woods  2006
embroidery on fabric, wood frame
The National Museum of Art, Osaka Museum Collection
Courtesy the artist and Taka Ishii Gallery, Tokyo © the artist
Zon Ito
The End of the Neighborhood  2000 
embroidery on fabric, wooden frame
Courtesy the artist and Taka Ishii Gallery, Tokyo © the artist
Zon Ito
Traveling in the Shallows  2000
embroidery on fabric, wooden frame
Courtesy the artist and Taka Ishii Gallery, Tokyo © the artist

Louisa Bufardeci & Zon Ito



28 July - 25 October 2009

This exhibition is the fourth in a series of ‘international pairing’ projects, and presents the work of Australian artist Louisa Bufardeci alongside Japanese artist Zon Ito. Spanning sculpture and installation, wall drawings, digital prints and animation, the exhibition seeks to position Australian contemporary art within a wider, global dialogue.
Bufardeci draws upon statistical data, sourcing information from the public domain including the CIA Fact Book, the national census and opinion polls. She translates this information into colour charts, maps and architectural diagrams; and in doing so, draws playful attention to gaps, biases and inequalities.

For her MCA exhibition, Bufardeci has created an ambitious site-specific floor piece using statistics about Sydney’s residents.
Zon Ito creates intricate embroidered canvases and flags, cut paper, clay and fabric assemblages and playful hand-drawn animations. Parallels may be found in the work of Louisa Bufardeci and Zon Ito in their symbolic use of colour and ordered forms, along with their interpretation and unconventional use of space.





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