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Fiona Hall The price is right 1994 Tupperware, power cords, sequencer, light globes, ceramic plate dimensions variable Collection: Museum of Contemporary Art, purchased 1995 Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, Australia © the artist
Fiona Hall Dead in the water 1999 polvinyl chloride, glass beads, silver wire, glass, wood, transparent synthetic polymer resin vitrine dimensions: 106.2 x 129.1 x 129.2 cm Collection: National Gallery of Victoria, Melbourne, 1999 Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, Australia © the artist
Fiona Hall Manly Beach 1986 gelatin silver photograph 19.3 x 24.5 cm Collection of the artist Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, Australia © the artist
S.O.S. (from the series The price is right) 1994 polaroid photographs triptych: each 68 x 53 cm Collection of the artist Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, Australia © the artist
Fiona Hall Medicine bundle for the non-born child 1994 aluminium, rubber, plastic layette comprising matinee jacket: 27.5 x 47.5 x 10 cm; bootees: 7 x 5 x 8.5 cm; bonnet: 13 x 13 x 6 cm; rattle: 32 x 8.5 x 6 cm; six pack of baby bottles: 17 x 20 x 13 cm Purchased 2000. Queensland Art Gallery Foundation Grant Collection: Queensland Art Gallery Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, Australia © the artist
Fiona Hall Paradisus terrestris (Indigenous series) 1990–2005 9 parts: aluminium, tin Courtesy of the artist and Roslyn Oxley9 Gallery, Sydney Image courtesy of the artist and Roslyn Oxley9 Gallery, Sydney, Australia © the artist
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Fiona Hall: Force Field



6 March - 1 June 2008

This exhibition presents an in-depth survey of the work of Australian artist Fiona Hall from the 1970s to the present, produced collaboratively between the MCA and City Gallery Wellington.

Born in Sydney (1953) and based in Adelaide, Hall began her career in photography but has extended into diverse media including sculpture, installation and garden design. Her work is characterised by its use of
ordinary objects and materials which are transformed into complex and allusive objects.

The exhibition includes new work made especially for this survey and will be accompanied by a new publication, co-published by City Gallery Wellington and the Museum of Contemporary Art with essays by Vivienne Webb, MCA and Greg O’Brien, City Gallery Wellington (CGW) as well as an interview with the artist.

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Fiona Hall: Force Field Education Kit Download





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