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Mca Collection

MCA Collection

29 Mar - 31 Jul

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Exhibition

New Romance

30 Jun - 04 Sep

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Workshop

Art Safari

09 Aug, 10.30am, Level 3: National Centre for Creative Learning

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THE FOREVER NOW

01 Sep, 6.00pm, MCA

– News from inside the MCA

Dear Giselle

New Romance artist Giselle Stanborough answers your questions about the modern dating world. more

What we've been reading: June

In the spirit of our current exhibition, Telling Tales, MCA Staffers share what they’ve been reading over the past month. more

Where do artists get their ideas from?

Artist Educators Stephanie & Athena are interviewed by kids about their art practice more

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Volume One: MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Laith McGregor

The European 2009

Museum of Contemporary Art, purchased with funds provided by the Coe and Mordant families, 2010

pencil and ball-point on paper

H 1515 W 995 D 60cm

About the Artwork

Laith McGregor is known for his intricate drawings executed in biro (‘they’re BIC by the way’) and pencil. These figurative works, often self-portraits and portraits of members of his family, interweave history and fiction, popular culture and mythology.

One of the works by McGregor that featured in the MCA exhibition I Walk the Line: New Australian Drawing was a video loop showing the artist drawing a beard in biro onto his face.

The European was produced during the artist’s three-month residency at the Centre Intermondes at Le Rochelle in France in 2009. The image takes its inspiration from the rich history of the port, with its seafaring legends and medieval traffic during the Crusades. The Templar Knights passed through here regularly and, in the eighteenth century, La Rochelle also became a port-of-call for the international slave trade.

The curious combination of the chain mail and the wooden barque (sailing vessel) adorning the figure, along with his pale eyes and distant gaze, suggest something of an archetype. The artist posits the figure as a ‘ghost-like chevalier unknowingly holding a slave ship upon his crown … in a continuous journey across time’ (1).

1. Artist’s email to Anna Davis, MCA Curator, October 2010

Historical figures and fictitious characters morph and weave, reaffirming themselves and their presence like phantoms.

Laith McGregor

Laith McGregor

– About the artist

b.1977

Born 1977 Nambour, Queensland.Lives and works Melbourne, Victoria.

Learn more

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