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MCA Collection: Luminous

09 Mar - 08 Jun

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Light Show

16 Apr - 05 Jul

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Energies: Haines and Hinterding

25 Jun - 06 Sep

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Art and Technology in the Classroom

04 Jun, 2.00pm

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Talk

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18 Jun, 11.00am, Creative Studios National Centre for Creative Learning

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Creative Connections #1

22 Jun, 9.00am, Creative Studios National Centre for Creative Learning

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Getting articulate at Light Show

MCA Articulate lets visitors to Light Show respond to artworks in the exhibition. more

Light Perspectives: Christoper Esber

A Light Show blog series to find out how light is used in professional creative practices. This week we hear from Australian Fashion Designer Christopher Esber. more

Reflecting on the Blacktown Native Institution Artist Camps

'History is never static: it lives on through the people and communities that it has shaped, and it is shaped in turn by the telling of it.’ more

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Volume One: MCA Collection

Works from the MCA Collection on display

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Remain in Light: Photography from the MCA Collections

On tour until October 2015

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ARTIST INTERVIEW

Watch our latest artist interview with Khaled Sabsabi

Laith McGregor

The European 2009

Museum of Contemporary Art, purchased with funds provided by the Coe and Mordant families, 2010

pencil and ball-point on paper

H 1515 W 995 D 60cm

About the Artwork

Laith McGregor is known for his intricate drawings executed in biro (‘they’re BIC by the way’) and pencil. These figurative works, often self-portraits and portraits of members of his family, interweave history and fiction, popular culture and mythology.

One of the works by McGregor that featured in the MCA exhibition I Walk the Line: New Australian Drawing was a video loop showing the artist drawing a beard in biro onto his face.

The European was produced during the artist’s three-month residency at the Centre Intermondes at Le Rochelle in France in 2009. The image takes its inspiration from the rich history of the port, with its seafaring legends and medieval traffic during the Crusades. The Templar Knights passed through here regularly and, in the eighteenth century, La Rochelle also became a port-of-call for the international slave trade.

The curious combination of the chain mail and the wooden barque (sailing vessel) adorning the figure, along with his pale eyes and distant gaze, suggest something of an archetype. The artist posits the figure as a ‘ghost-like chevalier unknowingly holding a slave ship upon his crown … in a continuous journey across time’ (1).

1. Artist’s email to Anna Davis, MCA Curator, October 2010

References

Quotation: Laith McGregor, from a statement written by the artist on occasion of the acquisition of his work by the Museum of Contemporary Art, 2010

Historical figures and fictitious characters morph and weave, reaffirming themselves and their presence like phantoms.

Laith McGregor

Laith McGregor

– About the artist

b.1977

In 2007 Laith McGregor obtained a Bachelor of Fine Art (Hons) at the Victorian College of the Arts, Melbourne. In 2008 he won the Robert Jacks Drawing Prize at the Bendigo Regional Art Gallery. In 2009 he was awarded an Emerging Artist New Work Grant by Australia Council for the Arts and was the Queensland recipient of the 2009 QANTAS Foundation Encouragement of Australian Contemporary Art Award. McGregor is currently undertaking a two year studio residency in Gertrude Contemporary, Melbourne. His work is represented in public and private collections around Australia.

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