– Highlights

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Mca Collection

MCA Collection

29 Mar - 31 Jul

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Exhibition

New Romance

30 Jun - 04 Sep

– Learning Events

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Special Event

ARTBAR July 2016

29 Jul, 7.00pm, MCA

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Workshop

Art Safari

09 Aug, 10.30am, Level 3: National Centre for Creative Learning

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Conference

THE FOREVER NOW

01 Sep, 6.00pm, MCA

– News from inside the MCA

What we've been reading: June

In the spirit of our current exhibition, Telling Tales, MCA Staffers share what they’ve been reading over the past month. more

Where do artists get their ideas from?

Artist Educators Stephanie & Athena are interviewed by kids about their art practice more

Meeting Jumaadi: MCA Kids Committee

Siobhan learns from artist Jumaadi about his shadow puppet performance The Life and Death of a Shadow more

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Jess MacNeil

Opera House Steps, March 2006

Museum of Contemporary Art, donated through the Australian Government’s Cultural Gifts Program by Michael Hawker, 2009

single-channel digital, video, colour, sound, 2min 56s

2 min 56s

About the Artwork

Jess MacNeil’s practice shifts between superbly orchestrated digital video to sensuously painted fragments from filmed footage, exploring fluidity and slippage between image, media and form. MacNeil effortlessly translates her intense focus across moving and still imagery, refining and reworking the essential qualities that concern her – light, shadow, water, colour and movement against both natural and built environments, and our interaction within them.

Preoccupied with the lingering traces of human passage through time and particular places, Jess MacNeil’s works invite consideration of the complex pre-conditions and subtle repercussions of our encounters. Her paintings and video works explore the visible and invisible influences that govern the way we perceive and inhabit the world, presenting an emphatically subjective visual translation of the amorphous ’shape’ of our relationship to our surroundings and to one another.

The evocative effects in Jess MacNeil’s video works are the result of subtle, digital manipulation. In her video projection based on the Sydney Opera House steps at particular times (March and December 2006), the artist uses live footage (captured on video) of visitors moving up and down the steps of the Opera House which she then deconstructs by digitally erasing their bodies from the sequence, leaving just their shadows.

The regularly spaced steps of the forecourt, with elongated, distorted silhouettes rising and descending across what now appears as a field of parallel lines, create a dynamic optical rhythm – like notes upon a stave. MacNeil’s allusion to a musical scale, together with the play of shadows cast by moving bodies, resonates with the purpose of the building – a venue for dance, theatre and musical performances.

My practice is situated at the points of intersection between painting, installation, video and photography, taking as subject matter the dynamics of public space and its translation into pictorial space.

Jess MacNeil, 2008

Jess MacNeil

– About the artist

b.1977

Born 1977 Nova Scotia, Canada. Lives and works Sydney, Australia and London, United Kingdom.

Learn more

– View also

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