paper, cardboard, wire, paint and pen
10 parts: dimensions variable
Museum of Contemporary Art, donated through the Australian Government’s Cultural Gifts Program by Henry Ergas, 2009
This installation forms part of an ongoing endeavour by Simon Yates to externalise the contents of his mind – thoughts, feelings and memories – as they take place in the same moment. The result is Brain Scapes, an abstracted, sculptural self-portrait in the form of ten star-like shapes suspended between ceiling and floor. Touching point to point, they resemble simplified neurons: the electrical transmitters of the brain that form the neural network and allow the brain to process information. Deliberately low-tech, Brain Scapes is constructed from everyday materials like wire, sticky tape, newspaper, black-and-white and colour photocopies, and matt black paint.
It is, however, more than a simple, rough construction. The work is an attempt to put into three dimensions the mysteries of the brain, or, as Yates puts it, a form of information ecology he calls ‘info-diversity’. Each shape is covered in images and texts recalling the artist’s past and the musical and literary influences. One such item is a comic book drawn in his youth of all that he could remember at that time. Another is a painting produced under the influence of certain recurring feelings that Yates accessed by listening to music – pieces that he both liked and disliked. Photocopies of the covers of Rolling Stones albums and Tolkien’s novel The Lord of the Rings also relate to the times or feelings portrayed in the other pictures and text.
Yates likens his practice to that of an inventor. He has experimented with a number of different machines and models. Some of his installations have included walking robots made from balsa wood and paper, held up by helium balloons and activated via remote control. For this work, all the star-shaped pieces nest inside one another like a Russian matryoshka doll, neatly articulating the ways in which ‘info-diversity’ can be assembled and reassembled.
Updated and approved August 2016.
My inventions are an attempt to create new technologies to describe things with, and communicate with … and in this way they attempt to intercept the process of description and representation. Television is characteristic of representational technologies. It dismantles an image, turning it into a one-dimensional stream of information then adds another dimension (time) to reassemble the information as a two-dimensional image. Similarly, my inventions are about different ways of dismantling and reassembling information. Simon Yates, 2006.
Born 1973, Griffith, New South Wales. Lives and works Sydney.
Simon Yates’ art practice takes the form of low-tech inventions, including walking robots and 3D optical illusions, as well as experimental collections of information in zines and illustrated narratives. He has exhibited in Australia and internationally. Solo exhibitions include Total Perspective Vortex, 55 Sydenham Road Gallery, Sydney (2016); Biblioburbia, with Vanessa Berry, First Draft Gallery, Sydney (2012); Do not open until… Mori Gallery, Sydney (2009); Universal Cloaking Device, Artspace, Sydney (2005); Artificial Intelligence, with Shane Haseman, Blaugrau Gallery, Sydney (2001)
Group exhibitions include Soft Core, Casula Powerhouse (2016); New Contemporaries, SCA Galleries, Sydney (2014); Awfully Wonderful, Carriageworks (2011); New Acquisitions 2010, Museum of Contemporary Art Australia (2010); Before and After Science, Art Gallery of South Australia (2010); NEW 09, ACCA, Melbourne (2009); Primavera 2006, Museum of Contemporary Art Australia (2006).