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Grayson Perry

10 Dec - 01 May

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Mikala Dwyer: MCA Collection

21 Dec - 21 Feb

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Being TIWI

21 Dec - 21 Feb

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Sharing The Artist’s Voice

Celebrating the launch of a new video portal, Alex White reflects upon the MCA’s history of producing and sharing interviews with artists and the importance of these activities for the organisation. more

My Pretty Little Sydney: A guide inspired by Grayson Perry

Much like Grayson’s work, Sydney is full of interesting enclaves if you are willing to take a closer look. We teamed up with The Thousands to create a Grayson Perry-inspired guide to Sydney! more

Building Confidence

Artist Educator Sue Salier reflects upon the certainty of youth in relation to our secondary workshop program Unpacking Unseen Images. more

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Volume One: MCA Collection

Works from the MCA Collection on display

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Remain in Light: Photography from the MCA Collections

On tour until October 2015

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ARTIST INTERVIEW

Watch our latest artist interview with Khaled Sabsabi

Simon Yates

Brain Scapes 2006

Museum of Contemporary Art, donated through the Australian Government’s Cultural Gifts Program by Henry Ergas, 2009

paper, cardboard, wire, paint and pen (10 parts)

About the Artwork

This installation forms part of a fascinating endeavour by Simon Yates to harness the contents of his mind – thoughts, feelings and memories – in the service of his artistic practice. The result is Brain Scapes, an abstracted, sculptural self-portrait in the form of star-like shapes suspended between ceiling and floor.

Deliberately lo-fi, Brain Scapes is constructed from everyday materials and is painted black – the latter hinting at extraterrestrial dark matter. The work forms a visual palimpsest of Yates’ interests and influences, with an array of images and texts attached to each shape. These have been assembled following a practice he calls ‘information ecology’ or ‘infodiversity’.

One attached item is a comic book or storyboard drawn in his youth, of all that he could remember at that time. Another is a painting produced under the influence of certain recurring feelings that Yates has tried to access by listening to music – pieces that he both likes and dislikes. Details of all of these experiences and memories are included on the surface of the work: there’s a reproduction of a Rolling Stones record cover and references to Tolkien’s novel The Lord of the Rings.

Yates likens his practice to that of an inventor. He has experimented with a number of different machines and models. Some of his installations have included walking robots made from balsa wood and paper, held up by helium balloons and activated via remote control.

References

Quotation: Simon Yates, artist talk, MCA Collection: New Acquisitions in Context 2010

History should be defined by the degree of novelty at any given time.

Simon Yates

Simon Yates

– About the artist

b.1973

Simon Yates completed a Bachelor of Visual Arts at the Sydney College of the Arts in 2000. His work has appeared in solo and group shows in Sydney and Melbourne as well as in the USA.

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