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Mca Collection

MCA Collection

29 Mar - 31 Jul

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Exhibition

New Romance

30 Jun - 04 Sep

– Learning Events

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Workshop

Soyo Lee’s Cactus Grafting Workshop

01 Jul, 10.30am, Level 2: Seminar Room

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Talk

Artists In Conversation

02 Jul, 3.00pm, Level 3: Creative Studios in NCCL

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Workshop

Junior Art School

16 Jul, 10.30am, Level 3: National Centre for Creative Learning

– News from inside the MCA

Meeting Jumaadi: MCA Kids Committee

Siobhan learns from artist Jumaadi about his shadow puppet performance The Life and Death of a Shadow more

MCA X PITCH ZINE Digital Zine

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Zinopolis

Zinesters shu. & Mikaela Cailao share their how’s and why’s of zine-making more

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Volume One: MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

James Morrison

Colour green 2007

Museum of Contemporary Art, purchased with funds provided by the Coe and Mordant families, 2009

papier mache and ink mounted on wood in perspex case

H 46.3 W 49.9 D 20.5cm

About the Artwork

James Morrison spent his childhood in the highlands of Papua New Guinea, and this formative period has been hugely influential in his development as an artist. His subject is nature – an intense, slightly malevolent version that befits the environment of his youth. The stories and myths from his Papua New Guinea experience have shaped his thinking as an artist, in particular in the way he merges the natural world with the imaginary and the mythic.

One aspect of Morrison’s practice involves the creation of small, moulded paper objects. These fragile constructions sit between drawing and sculpture.

“This object was the first sculptural drawing that I did. It started out as a relief and then grew out. Also a few other little papier-mâché works I was making at the time were incorporated into it, hence the difference in papers.
I had been thinking of taking the flat work I had been doing and expanding it, literally outwards, though mainly with my painting. I had such a small studio it seemed easier to play around with the ideas as drawings and small papier-mâché objects (though in time it will filter into my paintings). It came about out of frustration of the flat impenetrable surface. I needed something I could move around in. A more expansive space. The feeling of walking into the bush. I had always liked Claes Oldenburg, his bulging wall pieces, although you can’t really see that in this work.”

James Morrison, July 2011

James Morrison

– About the artist

b.1959

Born 1959 Goroka, Papua New Guinea. Lives and works Sydney, New South Wales.

Learn more

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