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– Highlights


Aleks Danko

30 Jul - 18 Oct


Matthys Gerber

22 Sep - 06 Dec


Primavera 2015

22 Sep - 06 Dec

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Exchange Series

12 Nov, 11.00am, Creative Studios National Centre for Creative Learning


Educator Exclusive

26 Nov, 5.30pm, Creative Studios National Centre for Creative Learning



06 Dec, 6.00pm, Throughout the MCA

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About the MCA

– News from inside the MCA

Taloi Havini: Primavera artist and ARTBAR curator

Primavera 2015 artist and MCA ARTBAR curator Taloi Havini talks ‘Shell Money’, pina coladas and memories of Bougainville. more

We laughed, we cried, we danced, we barked…

Teachers from across NSW gathered at the MCA and Sydney Opera House for two days of creative dialogue and exchange as part of the 2015 Engaging Students with Disability forum. more

If these walls could talk | #AleksDanko

Ha-ha-ha-ha. Learn the meaning behind artist Aleks Danko’s Laughing Wall.... more

View the Collection

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– Spotlights from the collection online

Volume One: MCA Collection

Works from the MCA Collection on display

Remain in Light: Photography from the MCA Collections

On tour until October 2015


Watch our latest artist interview with Khaled Sabsabi

Christian Marclay: The Clock

Museum of Contemporary Art Australia (MCA)


29 Mar 2012 to 03 Jun 2012


The Clock is a 24-hour video by artist Christian Marclay. The work was played continuously during regular museum opening hours. Every Thursday for the duration of the season, the MCA presented a special 24-hour screening.

Christian Marclay’s video installation The Clock comprises several thousand short extracts from cinema history that refer to time through the presence of a clock, watch face or related symbol. Mixing diverse film genres, eras and locations, it is a vibrant collage of imagery and sound that chronicles 24 hours’ duration, synchronised to the real time of gallery viewers watching it.

The Clock highlights the centrality of time within conventional cinema narratives – the way it binds stories and leads us through their events. Yet by the same token, cinema traditionally immerses viewers within an illusory sense of time, suspending the real time of the world outside.

Both an art work and a time piece, Marclay’s video heightens time and tells us the time. It creates an uncanny correspondence between cinematic and real time, drawing viewers into a parallel awareness of what they watch on screen and experience beyond it.

Christian Marclay was born in California in 1955 and lives between London and New York. He has employed the concept of collage since the 1970s across diverse media including film and video, photography, installation, sound and music.

Christian Marclay, The Clock, 2010

Christian Marclay, The Clock, 2010, installation view, Christian Marclay: The Clock, MCA, 2012, image courtesy and © the artist