See what's on at the

Browse What's On

– Highlights

highlight
Mca Collection

MCA Collection

29 Mar - 31 Dec

highlight
Biennale Of Sydney

20th Biennale of Sydney

18 Mar - 05 Jun

highlight
Exhibition

Telling Tales

02 Jun - 09 Oct

Create and Learn at the

All Learning Programs

– Learning Events

highlight
Workshop

Art Safari

27 May, 1.00pm, Level 3: National Centre for Creative Learning

highlight
Talk

For Artists

29 May, 2.00pm, Level 2: Seminar Room

highlight
Special Event

MCA Zine Fair 2016

11 Jun, 10.00am, MCA

Find out more about the

About the MCA

– News from inside the MCA

ARTBAR and Vivid meet again

Dipped in colour and drenched in light, we hand the paintbrush over to Huseyin Sami to curate this month’s MCA ARTBAR as it collides with Vivid Sydney. more

Go-go Dance: from 60s Twist to Sydney

Let’s twist! Artist Bridie Connell talks history of 60s Go-go dance & where it’s at in Sydney today more

Visual arts sector United over funding cuts

Australia Council’s recent announcement that 65 organisations will no longer receive funding under its Four-Year Funding program (previously Key Organisations), delivering a major blow to our contemporary visual arts sector. more

View the Collection

Browse Collection

– Spotlights from the collection online

highlight
Volume One: MCA Collection

Works from the MCA Collection

highlight
Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

highlight
Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Annette Messager: motion / emotion

Museum of Contemporary Art Australia (MCA)

Duration

24 July to 26 October 2014

Curator: Rachel Kent

about the exhibition

'For me, the fantastic is in daily life; real life is more extraordinary than all of the imagination’. Annette Messager

Annette Messager is a leading French artist whose extensive body of work over four decades encompasses drawing, photography, needlework, sculpture and installation. For her first Australian survey exhibition at the MCA Australia, the artist showed works from 1972 to the present, including major installations with kinetic or moving elements. Messager’s artworks are modest in their choice of materials. Clothing, badges, stuffed toys, yarn and synthetic hair all feature prominently, reworked by the artist to unsettling effect. Images are culled from popular magazines and newspapers, drawn by hand or photographed, while particular words are repeated over and over, like a litany.

Messager has spoken of her longstanding interest in ‘outsider’ art, including the work of amateur artists and children’s art. Equally significant are the historically overlooked practices, materials and techniques of women artists, which she has explored over decades. Since her debut in the Paris art scene in 1971-72 Messager has created an eccentric menagerie of creatures. Animal, human, monstrous or something in-between, her creations suggest the complexity of life as well as the mythologies, superstitions and vanities that underpin it – the shadowy ‘other’ within us all. From her earliest works exploring concepts of the feminine, to works of the 1980s that explore hybrid beings or ‘chimeras’, to later works featuring dismembered soft toys, unravelled woollen sweaters and hand-stitched limbs and organs, the body remains central while identity is destabilised.

Motion / emotion reflected the dual aspects of the artist’s practice. Motion is central to Messager’s recent works which sometimes incorporate mechanical elements and lights in their realisation. Some pieces employ ordinary household fans that blow objects upwards or round and round, as though animated with life’s force; others house more complex mechanisms that inflate and deflate various components. Several installations, featuring objects suspended by thread, rely on the movement of visitors and airflow to activate their gentle swaying motion. In the major installation Penetration (1992-94), lights hang between woollen body parts – lungs, digestive tract, reproductive organs – and soft pink foetuses, casting dramatic shadows across the gallery wall.

Probing the body from outside and within, Messager’s works reveal a keen interest in humanity and its fragile, emotional core. Nowhere is this more evident than in the dramatic room scale installation Casino (2005), featuring a billowing sea of red silk that rises and falls like breath. Originally commissioned for the 2005 Venice Biennale, and reconfigured for the MCA Australia, this work is inspired by the adventures of the wooden marionette Pinocchio in his quest to become a human boy. Disembodied puppet heads bob up and down above the silk, which suggests the blood associated with birth, whilst below it lie the limbs and organs the marionette so desires.

Annette Messager was born in 1943 in Berck-sur-Mer, France. She lives and works in Paris.