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Mca Collection

MCA Collection

29 Mar - 31 Dec

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Biennale Of Sydney

20th Biennale of Sydney

18 Mar - 05 Jun

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Workshop

Art Safari

27 May, 1.00pm, Level 3: National Centre for Creative Learning

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Talk

For Artists

29 May, 2.00pm, Level 2: Seminar Room

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Special Event

MCA Zine Fair 2016

11 Jun, 10.00am, MCA

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ARTBAR and Vivid meet again

Dipped in colour and drenched in light, we hand the paintbrush over to Huseyin Sami to curate this month’s MCA ARTBAR as it collides with Vivid Sydney. more

Go-go Dance: from 60s Twist to Sydney

Let’s twist! Artist Bridie Connell talks history of 60s Go-go dance & where it’s at in Sydney today more

Visual arts sector United over funding cuts

Australia Council’s recent announcement that 65 organisations will no longer receive funding under its Four-Year Funding program (previously Key Organisations), delivering a major blow to our contemporary visual arts sector. more

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Volume One: MCA Collection

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

Justene Williams

b.1970 :

Justene Williams was born in Sydney and completed a Bachelor of Visual Arts at the University of Western Sydney in 1991. Further art education was undertaken at Sydney College of the Arts (Postgraduate Diploma in 1992 and a Master of Visual Arts in 2006). Williams’ early work revolved around photography and utilised the ad hoc nature of disposable cameras and one-hour printing labs. The locations for these early photographic projects were sites of public recreation: shopping centres, car shows and strip clubs; and the resultant imagery channeled the energy of popular culture while often being luxuriously abstract. Often, Williams images were the rescued “out-takes” from rolls of film; the out of focus, blurred “mistakes” that mysteriously hinted at figuration, but eluded resolution.

In 2005 Williams’ interest in photography was subsumed into the medium of video. Coupled with her interest in choreography and performance (Williams danced as a child), she began to use video as a performative medium, creating elaborate sets and costumes from “waste” materials in which absurd, repetitive actions were executed. These delirious choreographies in fabulist settings have the aura of voodoo, with the artist channelling various periods from art history in an effort to reconstruct the essence of forgotten images. Through the physical collaging of materials to construct her complex sets and costumes, and the digital collaging and editing of video, Williams invokes the ghosts of artists past.

In _Bighead Garbageface Guards Ghost Derr Sonata _at the Art Gallery of New South Wales, Sydney in 2009, Willliams conjures the spirits of Dada artists Kurt Schwitters, Sophie Tauber Arp and Man Ray. In Berlin Burghers Microwave at Penrith Regional Gallery in 2010, Williams summoned Auguste Rodin’s The Burghers of Calais (1889) and Claude Monet’s Waterlilies, and in the MCA’s Crutch Dance in 2011, a Futurist figure vainly does battle with a treadmill, invoking Umberto Boccioni’s famous sculpture Continuity of Unique Form in Space (1913). Justene Wiiliams’ embracing of both high and low art, history and salvage, painting and video, results in a hypnotic new form of recycling – a curiously ‘carbon neutral’ method of image production.

Works by Justene Williams

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