– Highlights

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Mca Collection

MCA Collection

29 Mar - 31 Jul

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Exhibition

Telling Tales

02 Jun - 09 Oct

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Exhibition

New Romance

30 Jun - 04 Sep

– Learning Events

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Special Event

New Romance for Teachers

02 Jul, 10.00am, Level 3: National Centre for Creative Learning

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Talk

Artists In Conversation

02 Jul, 3.00pm, Level 3: Creative Studios in NCCL

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Lecture

Humanoids and Hybrids: Creepy, Uncanny and Contestable Bodies

03 Jul, 11.00am, Level 2: Veolia Lecture Theatre

– News from inside the MCA

Where do artists get their ideas from?

Artist Educators Stephanie & Athena are interviewed by kids about their art practice more

Meeting Jumaadi: MCA Kids Committee

Siobhan learns from artist Jumaadi about his shadow puppet performance The Life and Death of a Shadow more

MCA X PITCH ZINE Digital Zine

The MCA has collaborated with PITCH ZINE to create a digital zine in anticipation for the 9th annual MCA Zine Fair this weekend. more

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection

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Collection Artist Interviews

Watch our latest interviews in the MCA Video Portal

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Joint acquisitions by MCA and Tate

The Program promotes Australian art globally, helping Australian artists reach new audiences.

The Maningrida Collection of Aboriginal Art

The Maningrida Collection of Aboriginal Art consists of approximately 600 works in fibre and other materials by Maningrida artists. The Collection is held in trust for the people of Maningrida on a long-term basis under a unique cultural agreement. The works were all created in the mid-to-late 1980s, and made, for the most part by women, revealing their ingenuity and ability to maintain strong links with the past, while at the same time incorporating new ideas and materials. Some traditional pieces – such as dragnets, fish traps and hunting bags – have been produced collectively by men and women.

The Maningrida Collection, together with the Ramingining Collection and the Arnott’s Collection are three remarkable collections of Aboriginal art which complement one another, and came to the Museum because of its commitment and involvement with the Aboriginal communities, and a curatorial perspective from ‘within’ the communities in the case of the two closely related areas of Ramingining and Maningrida.

Maningrida

Image: installation view, Volume One: MCA Collection, Museum of Contemporary Art 2012, Image courtesy and © the artists and artists’ estates, Photo: Paul Green