See what's on at the

Browse What's On

– Highlights

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Exhibition

Energies: Haines & Hinterding

25 Jun - 06 Sep

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Exhibition

Aleks Danko

30 Jul - 18 Oct

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Exhibition

Matthys Gerber

22 Sep - 06 Dec

Create and Learn at the

All Learning Programs

– Learning Events

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Workshop

Sunday Live - Life Drawing

19 Jul, 2.00pm, Creative Studios National Centre for Creative Learning

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Special Event

Educator Exclusive

30 Jul, 5.30pm, Creative Studios National Centre for Creative Learning

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Conference

Dance, Theatre and Visual Art

20 Aug, 9.00am

Find out more about the

About the MCA

– News from inside the MCA

Teena meets Bella

David Capra is the 2015 Bella commission artist and to celebrate the installation of his new work Teena’s Bathtime, we held a very special open day. more

What we've been reading: June

MCA’s curatorial & digital team share links to articles and websites that have inspired them during June. more

Anna Davis on Energies: Haines & Hinterding

Curator, Anna Davis, has been working closely with David Haines and Joyce Hinterding in the lead up to their solo exhbition at the MCA. more

View the Collection

Browse Collection

– Spotlights from the collection online

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Volume One: MCA Collection

Works from the MCA Collection on display

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Remain in Light: Photography from the MCA Collections

On tour until October 2015

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ARTIST INTERVIEW

Watch our latest artist interview with Khaled Sabsabi

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings

The Arnott’s Biscuits Collection of Aboriginal Bark Paintings comprises 275 bark paintings donated to the MCA in June 1993 by Arnott’s Biscuits Limited. The collection features works from the 1960s through to the early 1980s by important artists from the creative hubs in and around Groote Eylandt, Yirrkala, Galiwin’ku (Elcho Island), Milingimbi, Maningrida, Ramingining, Gunbalanya (Oenpelli), Wadeye (Port Keats) and the Tiwi islands; places still significant today for their ongoing contribution to contemporary Aboriginal art practice. The collection is widely considered to be one of the most important collections of bark paintings in the country.

The Maningrida Collection, the Ramingining Collection and the Arnott’s Collection are three remarkable collections of Aboriginal art which complement one another, and came to the Museum because of its commitment and involvement with the Aboriginal communities, and a curatorial perspective from ‘within’ the communities in the case of the two closely related areas of Ramingining and Maningrida.

Arnotts

Image: installation view, Volume One: MCA Collection, Museum of Contemporary Art, 2012, Image courtesy and © the artists and artists’ estates, Photo: Paul Green